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Plot Summary:A camera aboard a drone flies over a territory. The aerial images show barren landscapes, dotted with shabby houses, animals and a few human figures. We scarcely have time to wonder where we are when a text appears on the screen directly addressing the viewer: we are in Syrian Kurdistan, liberated from the occupation of the Islamic State, whose jihadist members are currently in prison. The woman who speaks has been given permission to question them; about their ideas, their past and the future. The Kurdish filmmaker Zaynê Akyol, who made a great impression on the Visions du Réel audience in 2016 with GULÎSTAN, LAND OF ROSES, shows towards them dialectic behaviour typical of those who want to understand before they pass sentence. Their stories thus take shape, framed by a mise en scène that shifts between words, faces and aerial views of the landscape. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematographic object.
关键词：在2016年的瑞士真实影展上首映《战地玫瑰（Land of Roses）》后，库尔德导演扎因·阿克约尔重启与伊斯兰国囚犯的对话。影片穿插鸟瞰的乡村景观，对于当下政治议题的审视出乎意料却又影响深远，主题与节奏创造令人印象深刻的体验。